the history of cardenio

IUPUI Theatre. For The History of Cardenio, Taylor has attempted what he calls an “unadaptation” of Double Falsehood (238). In 1653, the play, The History of Cardenio, appeared in a register of soon-to-be published works. Roger Chartier is Professor at the Collège de France, Directeur d’études at the Ecole des hautes études en sciences sociales in Paris, and Annenberg Visiting Professor in History at the University of Pennsylvania. Cardenio, then, hovers tantalisingly within and behind Theobald’s eighteenth-century adaptation, which has since been sifted and analysed for traces of the original. April 19-28. History. The History of Cardenio by Mr. Fletcher and Shakespeare. The History of Cardenio, 4 Cardenio and the Eighteenth-Century Shakespeare Canon, 5 Malone’s Double Falsehood First official record: entered into the Stationers' Register by Humphrey Moseley on 9 September 1653, as "The History of Cardenio, by Mr Fletcher and Shakespeare." He directed three readings of earlier drafts of Taylor’s Cardenio in 2006-7. John Heminge was paid twice for performances of a play called Cardenio by the King's Men at Greenwich Palace in 1613. The History of Cardenio is the story of the later months of the life of the plagiarist and playwright Lewis Theobald who, having set sail to see what there is left of the world, and suffering from writer’s (forger’s) block, is shipwrecked. On this page you will find information about the colloquium’s goals and participants, as well as information about Hoosier… Did William Shakespeare actually co-author a play called “The History of Cardenio?” It’s debatable (and scholars have debated it for a long time). Welcome to the website for the academic colloquium The History of Cardenio: Spain and England, Then and Now, to be held on April 27-28, 2012 and sponsored by the School of Liberal Arts at Indiana University ~ Purdue University Indianapolis. This, it seems to Theobald, is fitting. is an article from Modern Language Notes, Volume 25. The History of Cardenio by William Shakespeare, John Fletcher and Prof. Gary Taylor Richmond Shakespeare Society and Cutpurse at The Mary Wallace Theatre, Twickenham, 18th to 25th March Review by Georgia Renwick You would be forgiven for doing a double take upon reading the poster for the latest production from the Richmond Shakespeare Society (RSS):… In 1653, the play, The History of Cardenio, appeared in a register of soon-to-be published works. Cardenio is one of Shakespeare’s “Lost plays”.Academics are uncertain of it’s provenance, but some believe it is indeed a play written by Shakespeare. In 1653 the stationer Humphrey Mosely registered his possession of a play called "The History of Cardenio by Mr. Fletcher and Shakespeare." It is a lost play, known to have been performed by The King's Men, a London theatre company, in 1613, (though some sources, such as the RSC website, aver that records show that a play by Shakespeare called Cardenna was performed at court in the winter of 1612). My purpose in this essay is to examine some aspects of the temporal character of The History of Cardenio – as Gary Taylor’s reconstruction of the play currently exists, using the performance script employed for the 2009 production at Victoria University of Wellington –and compare the findings there with prominent temporal characteristics of Shakespearean drama.

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