back to black instrumentation

Soon the engineering credits were gathering pace with Toots & the Maytals’ Funky Kingston, the Wailers’ Catch A Fire and Burnin’ and Sparks’ Kimono My House before Platt went freelance in 1974. That April, when the sessions for Back In Black were about to commence at Chris Blackwell’s Compass Point Studios in Nassau, there was a slight delay due to AC/DC’s equipment briefly being held by customs while a hurricane messed with the facility’s electrical system which, being on a Caribbean island, was already erratic. Pagkakaiba ng pagsulat ng ulat at sulating pananaliksik? At that time it was being run by a mate of mine, so we towed it up to Loughborough and actually parked it inside the bell foundry. “Then, when I returned to England, Adam Sieff introduced me to Mutt Lange.
In April 1980, just two months after lead singer Bon Scott’s death from a night of heavy drinking at a London club had prompted heavy metal pioneers AC/DC to consider disbanding, lead guitarist Angus Young, his rhythm guitarist brother Malcolm Young, bassist Cliff Williams and drummer Phil Rudd were back in the studio. “As I couldn’t get the Rolling Stones’ mobile, I used Ronnie Laine’s mobile, which was in an Airstream caravan. I had emergecy surgery and spent six weeks in the hospital My surgeon suggested a pain pump, but I can't find a pm who will consider it.

This took place at New York’s Electric Lady in May of 1980 as Tony Platt far preferred the idea of using the Neve 8078 console there than Compass Point’s MCI. Ask our community of thousands of members your health questions, and learn from others experiences. I had a visit with him two weeks ago and he did not change my antidepressant. We were in a part of the world where music was a part of everybody’s life, so the studio staff there were great. These included assisting on 1971 sessions for Led Zeppelin, the Rolling Stones, Traffic, the Who, Paul McCartney and Jethro Tull. The producer and/or engineer of anyone from Bob Marley, Toots & the Maytals, Aswad and Jazz Jamaica All Stars to Free, Iron Maiden, Motörhead, the Cult, Cheap Trick and Buddy Guy, Tony Platt moved from the Yorkshire town of Barnsley to the Oxfordshire town of Henley–on–Thames when he was seven–years–old and secured his first job as a tea boy and makeshift tape machine operator at Central London’s independent Trident Studios in 1969. Well, that was even more important with regard to Brian, because if I didn’t capture some of his performances the first time around it would have been a really steep climb for him to get back to that same place. There was one place where the snare sounded a lot louder and much fuller than everywhere else — which, I later discovered, was because of space above the ceiling there — and that’s where we set up the drum kit before positioning the guitars around it.”, Looking through the control room window towards the live area, the producer and engineer saw the band members in largely the same format as they used on stage.
Here he recorded demos for the Stranglers and Thin Lizzy while also working with UK reggae artists the Cimarons. Johnson was recruited that March, Scott having previously sung his praises to Angus Young after watching him perform with Newcastle glam rockers Geordie. Brendon Urie of Panic! “The studio itself was fairly dead–sounding with quite a low ceiling. Still, none of this prevented Tony Platt from making the necessary preparations. How much does does a 100 dollar roblox gift card get you in robhx? The thing with AC/DC was that they didn’t like to hear any effects, so we had to be very, very careful with reverbs, delays and anything like that. "Centerfield" was the first song enshrined in the Major League Baseball Hall of Fame. Beyoncé and Andre 3000 covered this for Baz Luhrmann's big screen adaptation of, Ann Wilson of Heart covered this on her 2018 album, Hannah from Hampshire, England, United Kingdom, The Truth Is Out There: A History of Alien Songs. The views expressed are those of the contributors and not necessarily those of the publishers. The cages are filled with cement at the lower levels and donor bone at other levels. “He also didn’t want the air–conditioning to be too cold after he’d warmed up his voice. Maintaining quality control, both Tony Platt — who would also engineer AC/DC’s 1983 album Flick Of The Switch — and Mutt Lange were involved in the Back In Black mastering by Bob Ludwig at Masterdisk in New York. Sleeping is difficult because pain wakes me up after a couple of hours in the same position. Without them we just won’t have the right combination.’ Then again, the guitars would also change from song to song based on the ones that the players were feeling most comfortable with. Next two were cervical anter and posterior. I have been reading about methadone and I am concerned that his ulterior motive is to dc all meds. The '70s gave us Muppets, disco and Van Halen, all which show up in this groovy quiz.

Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. I’m not crazy about horn–loaded monitors, but something about the way Westlake rooms were balanced really appealed to me. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers.

Being that I had a short time in which to record this before flying to New York to do the mix, I put up 15 or 16 microphones all around in different places, and recorded across 24 tracks using lots of Neumann U87s and some AKG 451s. Really sorry for all the medical issues you have been through. “We had a number of different Marshall heads and cabinets, and we used a different combination on each song.

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