the thought fox

The tone is one of mystery and dream-like suspension; the speaker is alone so all is quiet as the imagined time of midnight approaches. Write a full note on the animal imagery used by Hughes in "The Thought Fox.".

Our summaries and analyses are written by experts, and your questions are answered by real teachers. Registered No. Like the fox in the darkness of the forest, a thought begins in the subconscious mind as a vague sense or movement.

The movement of this particular thought is compared with the fox in the darkness whose presence can just be felt, but not seen. The tone is dream-like and mysterious; the imagined time is midnight, clearly a time of creativity.

At the beginning of the poem, the paper is black and as we come to the end, the paper is filled.

I have it with me wherever I go. Thus the poem is reflexive; it is a poem about its own composition. Cold, delicately as the dark snow And I made it … through imagining it clearly enough and finding the living words.'. It's dark. The poet introduces the fox into the reader’s sensory field in parts: a nose, then two eyes, as the fox stealthily moves between the trees of the silent, snowbound forest, then the whole body as it flashes across clearings. “The Thought-Fox” is a poem of twenty-four lines divided into six stanzas. The second stanza intensifies the suspense. The page is printed.

The poet, the speaker, is all alone near the window with just the clock ticking. The window is starless still; the clock ticks. … my fox is better than an ordinary fox. As it rises to the conscious level of the mind, it becomes increasingly concrete and definite, until it finally “enters the dark hole of the head” as a conscious, coherent thought. He feels it is disturbing him, but the disturbing force is not outside, it is in his mind.

The “Thought Fox” is a poem about the creative process and specifically about writing a poem. The Thought-Fox Personal Significance of the Fox After reading and analyzing " The Thought-Fox," it's easy to see why the image of a fox emerging from the edge of a dark forest is similar to an idea developing and surfacing from the depths of a writer's mind. I imagine this midnight moment's forest: Something else is alive Beside the clock's loneliness And this blank page where my fingers move. The fox and the poem merge, both products of the poet’s imagination. It would turn up in dreams at critical times in his life as a kind of spirit guide. Structure The world of the forest is set against the world of the room where the poet is working, characterized only by the presence of a clock and the poet’s as yet blank paper. This poem is particularly significant for the inclusion of his main themes and stylistic approaches. Join today for free! The fox and the poem merge, both products of the poet’s imagination. I imagine this midnight moment's forest: Something else is alive Beside the clock's loneliness And this blank page where my fingers move. Brilliantly, concentratedly, Beside the clock's loneliness The title tells the reader that the poet is drawing an analogy between a thought—specifically, in this case, a poetic composition—and a fox. In the first few stanzas, the fox is presented as a gentle creature, warily finding its way through the snow. A widening deepening greenness, All the richness of the wild is seen through the poet's eye. Profanity : Our optional filter replaced words with *** on this page •, © by owner. It is at least partly a poem about writing poetry – one might say about poetic inspiration. A widening deepening greenness, Gradually our mind revisits the subject of our thinking and develops command over that subject. The blank sheet of paper can only be printed when there is thought and imagination. Ted Hughes (Poetry in the Making). It will live for ever, it will never suffer from hunger or hounds. ‘The Thought-Fox’ is one of the most famous poems by Ted Hughes (1930-98). The speaker imagines that something else is alive in the forest at midnight. This poem is his breakthrough which indicates his turn from metaphysical poetry towards mythmaking. The Thought Fox. The ticking of the clock symbolizes the ticking of the poet’s mind to express it in any form. Even when Hughes is conveying abstract ideas, he uses precise detail and concrete sensory images from the natural world. I imagine this midnight moment's forest:Something else is aliveBeside the clock's lonelinessAnd this blank page where my fingers move.Through the window I see no star:Something more nearthough deeper within darknessIs entering the loneliness:Cold, delicately as the dark snowA fox's nose touches twig, leaf;Two eyes serve a movement, that nowAnd again now, and now, and nowSets neat prints into the snowBetween trees, and warily a lameShadow lags by stump and in hollowOf a body that is bold to comeAcross clearings, an eye,A widening deepening greenness,Brilliantly, concentratedly,Coming about its own businessTill, with a sudden sharp hot stink of fox,It enters the dark hole of the head.The window is starless still; the clock ticks,The page is printed. It enters the dark hole of the head. Its external action takes place in a room late at night where the poet is sitting alone at his desk. ‘The thought-fox’ is a poem about writing a poem.

Shadow lags by stump and in hollow Charity No. The first two stanzas set the scene. provided at no charge for educational purposes, Bride and Groom Lie Hidden for Three Days. Now the dim and mysterious fox which was figureless in the darkness has got the shape of the poem.

The fox manifests within the poem, the fox is the poem and both are a product of the poet's imagination. Imagery intensifies in stanza four as the shadow of the fox, the poetic doubt, makes progress through the snowy wood, slowing down, being wary, then bold and always instinctive. In the third stanza the soft consonant d and skilfully placed punctuation, help keep the pace and rhythm slow.

The third stanza gives the first tangible sense of the creature in the form of the fox’s cold nose investigating the surrounding twigs and leaves. The third stanza beautifully reflects the careful steps the fox has to make, as now repeats four times and the reader is taken along into the fourth stanza with the tracks already being 'printed' in the snow. Something more near | He has to feel it, sense it and give it a fuller form with the help of his consciousness and language. It enters the dark hole of the head. Secondly, the person sitting in the room is lonely. The fox is coming near and near and suddenly it enters into the head of the poet. More human feeling is accorded to the clock in its “loneliness” than to the poet. The fox in its literal sense as a fox is fully realized by the fifth stanza; it is “Brilliantly, concentratedly,/ Coming about its own business.”.

', This incinerated fox-man approached, put a bloody paw-hand on his shoulder and said 'Stop this - you are destroying us.'. The window is starless still; the clock ticks, Between trees, and warily a lame The Thought Fox was first published in Ted Hughes’s poetry collection The Hawk in the Rain in 1957. The page is printed. Carefully placed punctuation, for example semi-colons in stanzas one and two, controls the pace. ‘The Thought-Fox’: context and origins.

And this blank page where my fingers move. One such dream occurred whilst he was at Cambridge University, studying English. The poem is an extended metaphor whereby Hughes uses the mysteroius, wild and unpredictable fox as a comparison with the poet's writing process. Two eyes serve a movement, that now Two eyes serve a movement, that now And this blank page where my fingers move. Ted Hughes extends his central metaphor of fox-as-thought with great skill. 'So you see, in some ways my fox is better than an ordinary fox.

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